Correlation integral: Difference between revisions

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{{Infobox chord|
chord_name=major seventh chord|
first_interval=[[root (chord)|root]]|
second_interval=[[major third]]|
third_interval=[[perfect fifth]]|
fourth_interval=[[major seventh]]|
tuning=[[just intonation|8:10:12:18]]<ref name="Shirlaw">Shirlaw, Matthew (1900). ''The Theory of Harmony'', p.86. ISBN 978-1-4510-1534-8.</ref>|
forte_number=4-18|
complement=8-18
}}
[[File:Major seventh chord on C.png|thumb|right|Major seventh chord on C {{audio|Major seventh chord on C.mid|Play}}. I<sup>7</sup> in C major.<ref name="B&S">Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.229. Seventh Edition. ISBN 978-0-07-294262-0.</ref>]]
[[File:Dizzy's Business Major seventh chord.png|thumb|right|[[Dizzy Gillespie]]'s 1956 recording of "[[Dizzy's Business]]" ends with a major seventh chord<ref>Walter Everett (Autumn, 2004). "A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan", p.205, ''Music Theory Spectrum'', Vol. 26, No. 2, pp. 201-235.</ref> with root on G. {{Audio|Dizzy's Business Major seventh chord.mid|Play}}]]
 
In [[music]], a '''major seventh chord''' is a seventh chord where the "[[third (chord)|third]]" [[Factor (chord)|note]] is a [[major third]] above the [[root (chord)|root]], and the "[[seventh (chord)|seventh]]" note is a [[major seventh]] above the root (a [[Perfect fifth|fifth]] above the third note) {{Audio|Major seventh chord on C.mid|play}}. The major seventh chord, sometimes also called a ''Delta chord'', can be written as maj7, M7, <sup>{{music|major}}</sup>, ⑦ etc. It can be represented by the [[Pitch class#Integer notation|integer notation]] {0, 4, 7, 11}. In the case where the seventh note is a [[minor seventh]] above the root, it is instead called a [[dominant seventh chord]].
 
Examples of [[tonic (music)|tonic]] major seventh chords include [[Bread (band)|Bread]]'s "[[Make It with You|Make It With You]]", [[America (band)|America]]'s "[[Tin Man (song)|Tin Man]]", [[Blood, Sweat & Tears|Blood Sweat & Tears]]' "[[You've Made Me So Very Happy]]", third and main part of [[Wings (band)|Paul McCartney and Wings]]' "[[Band on the Run (song)|Band On The Run]]", [[Carly Simon]]'s "[[No Secrets (Carly Simon album)|The Right Thing To Do]]", [[Rupert Holmes]]' [[Him (Rupert Holmes song)|Him]] and, most famously, [[Chicago (band)|Chicago]]'s "[[Colour My World (Chicago song)|Colour My World]]".<ref name="Stephenson">Stephenson, Ken (2002). ''What to Listen for in Rock: A Stylistic Analysis'', p.83. ISBN 978-0-300-09239-4. "...the most famous major seventh chord in the history of music, the one that opens Chicago's 'Colour My World'..."</ref>
 
Moving in the seventies to replace the prominence of the dominant seventh as a stable tonic more common in the first fifteen years of the [[rock music|rock]] era, the major seventh was common in all styles, "pervading [[soul music|soul]], [[country rock]], [[soft rock]], [[Middle of the road (music)|MOR]] (middle-of-the-road styles), [[Jazz fusion#Jazz rock|jazz rock]], [[funk]], and [[disco]]."<ref name="Stephenson"/> "In soul and [[disco]], a tonic minor seventh harmony often alternated with a dominant seventh or dominant [[ninth chord]] on <math>\hat 4</math> ['Lady Marmalade' & 'Le Freak']...In other styles, major seventh and [[minor seventh chord]]s generally mix (usually with [[eleventh chord]]s...) to create a diatonic composite in either [[major scale|major]] or [[minor scale|minor mode]]....The most famous major seventh chord in the history of music, [is] the one that opens...'Colour My World', even though the song departs from the usual pattern described above by 'colouring' the [[chord progression|harmonic succession]] with several [[chromaticism|chromatic chords]]. Still, seven of that song's fourteen chords, including the tonic, are major sevenths or ninths, demonstrating the primacy of that chord type."<ref name="Stephenson"/>
 
[[File:Melodic origin of major seventh chord.png|thumb|Melodic origin of IV<sup>7</sup>.<ref name="Forte"/> {{audio|Melodic origin of major seventh chord.mid|Play}}]]
According to [[Allen Forte|Forte]], the major seventh chord is exemplified by IV<sup>7</sup>, which originates melodically.<ref name="Forte">Forte, Allen (1979). ''Tonal Harmony in Concept & Practice'', p.150. ISBN 0-03-020756-8.</ref>
 
The just major seventh chord is [[musical tuning|tuned]] in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. {{audio|Just major seventh chord on C.mid|Play}}
 
{{Infobox chord|
chord_name=major/major seventh chord|
first_interval=[[Root (chord)|root]]|
second_interval=[[major third]]|
third_interval=[[perfect fifth]]|
fourth_interval=[[major seventh]]|
tuning=[[just intonation|8:10:12:15]]<ref name="Shirlaw"/>|
}}
 
[[File:Major seventh chord on F.png|thumb|right|Major seventh chord on F {{audio|Major seventh chord on F.mid|Play}}. IV<sup>7</sup> in C major.<ref name="B&S"/>]]
 
Pieces which feature prominent major seventh chords include: [[Chick Corea]]'s "[[Tones for Joan's Bones|Litha]]", [[Joe Henderson]]'s "[[Inner Urge]]", [[John Lennon]]'s "[[Imagine (song)|Imagine]]", [[Freddie Hubbard]]'s "[[Little Sunflower]]", [[Carole King]]'s "[[It's Too Late (Carole King song)|It's Too Late]]", [[Michel Legrand]]'s "[[Watch What Happens]]", [[Antônio Carlos Jobim|Antonio Jobim]]'s "[[Dindi]]", [[Red Hot Chili Peppers]]' [[Under the Bridge|Under The Bridge]], and [[Tadd Dameron]]'s "[[Lady Bird (composition)|Lady Bird]]".<ref>Radley, Roberta (2011). ''The "Real Easy" Ear Training Book'', pages unmarked. ISBN 9781457101427.</ref>
 
==Major/major seventh chord table==
 
{|class="wikitable"
!bgcolor=#dddddd|Chord
!bgcolor=#dddddd|Root
!bgcolor=#dddddd|Major Third
!bgcolor=#dddddd|Perfect Fifth
!bgcolor=#dddddd|Major Seventh
|-
!Cmaj7
|C
|E
|G
|B
|-
!C{{music|#}}maj7
|C{{music|#}}
|E{{music|#}} (F)
|G{{music|#}}
|B{{music|#}} (C)
|-
!D{{music|b}}maj7
|D{{music|b}}
|F
|A{{music|b}}
|C
|-
!Dmaj7
|D
|F{{music|#}}
|A
|C{{music|#}}
|-
!D{{music|#}}maj7
|D{{music|#}}
|F{{music|##}} (G)
|A{{music|#}}
|C{{music|##}} (D)
|-
!E{{music|b}}maj7
|E{{music|b}}
|G
|B{{music|b}}
|D
|-
!Emaj7
|E
|G{{music|#}}
|B
|D{{music|#}}
|-
!Fmaj7
|F
|A
|C
|E
|-
!F{{music|#}}maj7
|F{{music|#}}
|A{{music|#}}
|C{{music|#}}
|E{{music|#}} (F)
|-
!G{{music|b}}maj7
|G{{music|b}}
|B{{music|b}}
|D{{music|b}}
|F
|-
!Gmaj7
|G
|B
|D
|F{{music|#}}
|-
!G{{music|#}}maj7
|G{{music|#}}
|B{{music|#}} (C)
|D{{music|#}}
|F{{music|##}} (G)
|-
!A{{music|b}}maj7
|A{{music|b}}
|C
|E{{music|b}}
|G
|-
!Amaj7
|A
|C{{music|#}}
|E
|G{{music|#}}
|-
!A{{music|#}}maj7
|A{{music|#}}
|C{{music|##}} (D)
|E{{music|#}} (F)
|G{{music|##}} (A)
|-
!B{{music|b}}maj7
|B{{music|b}}
|D
|F
|A
|-
!Bmaj7
|B
|D{{music|#}}
|F{{music|#}}
|A{{music|#}}
|-
|}
 
==Sources==
{{reflist}}
 
{{Chords}}
 
{{DEFAULTSORT:Major Seventh Chord}}
[[Category:Seventh chords]]
 
[[ca:Acord de sèptima#Acord de sèptima major]]

Latest revision as of 16:16, 1 December 2012

Template:Infobox chord

Major seventh chord on C My name: Lindsey Gavin
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Look into my weblog :: http://www.hostgator1centcoupon.info/. I7 in C major.[1]
File:Dizzy's Business Major seventh chord.png
Dizzy Gillespie's 1956 recording of "Dizzy's Business" ends with a major seventh chord[2] with root on G. My name: Lindsey Gavin
My age: 28
Country: Sweden
Home town: Vemdalen
Postal code: 840 92
Address: Buanvagen 79

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]

In music, a major seventh chord is a seventh chord where the "third" note is a major third above the root, and the "seventh" note is a major seventh above the root (a fifth above the third note) My name: Lindsey Gavin
My age: 28
Country: Sweden
Home town: Vemdalen
Postal code: 840 92
Address: Buanvagen 79

Look into my weblog :: http://www.hostgator1centcoupon.info/. The major seventh chord, sometimes also called a Delta chord, can be written as maj7, M7, Template:Music, ⑦ etc. It can be represented by the integer notation {0, 4, 7, 11}. In the case where the seventh note is a minor seventh above the root, it is instead called a dominant seventh chord.

Examples of tonic major seventh chords include Bread's "Make It With You", America's "Tin Man", Blood Sweat & Tears' "You've Made Me So Very Happy", third and main part of Paul McCartney and Wings' "Band On The Run", Carly Simon's "The Right Thing To Do", Rupert Holmes' Him and, most famously, Chicago's "Colour My World".[3]

Moving in the seventies to replace the prominence of the dominant seventh as a stable tonic more common in the first fifteen years of the rock era, the major seventh was common in all styles, "pervading soul, country rock, soft rock, MOR (middle-of-the-road styles), jazz rock, funk, and disco."[3] "In soul and disco, a tonic minor seventh harmony often alternated with a dominant seventh or dominant ninth chord on 4^ ['Lady Marmalade' & 'Le Freak']...In other styles, major seventh and minor seventh chords generally mix (usually with eleventh chords...) to create a diatonic composite in either major or minor mode....The most famous major seventh chord in the history of music, [is] the one that opens...'Colour My World', even though the song departs from the usual pattern described above by 'colouring' the harmonic succession with several chromatic chords. Still, seven of that song's fourteen chords, including the tonic, are major sevenths or ninths, demonstrating the primacy of that chord type."[3]

Melodic origin of IV7.[4] My name: Lindsey Gavin
My age: 28
Country: Sweden
Home town: Vemdalen
Postal code: 840 92
Address: Buanvagen 79

Look into my weblog :: http://www.hostgator1centcoupon.info/

According to Forte, the major seventh chord is exemplified by IV7, which originates melodically.[4]

The just major seventh chord is tuned in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. My name: Lindsey Gavin
My age: 28
Country: Sweden
Home town: Vemdalen
Postal code: 840 92
Address: Buanvagen 79

Look into my weblog :: http://www.hostgator1centcoupon.info/

Template:Infobox chord

Major seventh chord on F My name: Lindsey Gavin
My age: 28
Country: Sweden
Home town: Vemdalen
Postal code: 840 92
Address: Buanvagen 79

Look into my weblog :: http://www.hostgator1centcoupon.info/. IV7 in C major.[1]

Pieces which feature prominent major seventh chords include: Chick Corea's "Litha", Joe Henderson's "Inner Urge", John Lennon's "Imagine", Freddie Hubbard's "Little Sunflower", Carole King's "It's Too Late", Michel Legrand's "Watch What Happens", Antonio Jobim's "Dindi", Red Hot Chili Peppers' Under The Bridge, and Tadd Dameron's "Lady Bird".[5]

Major/major seventh chord table

Chord Root Major Third Perfect Fifth Major Seventh
Cmaj7 C E G B
CTemplate:Musicmaj7 CTemplate:Music ETemplate:Music (F) GTemplate:Music BTemplate:Music (C)
DTemplate:Musicmaj7 DTemplate:Music F ATemplate:Music C
Dmaj7 D FTemplate:Music A CTemplate:Music
DTemplate:Musicmaj7 DTemplate:Music FTemplate:Music (G) ATemplate:Music CTemplate:Music (D)
ETemplate:Musicmaj7 ETemplate:Music G BTemplate:Music D
Emaj7 E GTemplate:Music B DTemplate:Music
Fmaj7 F A C E
FTemplate:Musicmaj7 FTemplate:Music ATemplate:Music CTemplate:Music ETemplate:Music (F)
GTemplate:Musicmaj7 GTemplate:Music BTemplate:Music DTemplate:Music F
Gmaj7 G B D FTemplate:Music
GTemplate:Musicmaj7 GTemplate:Music BTemplate:Music (C) DTemplate:Music FTemplate:Music (G)
ATemplate:Musicmaj7 ATemplate:Music C ETemplate:Music G
Amaj7 A CTemplate:Music E GTemplate:Music
ATemplate:Musicmaj7 ATemplate:Music CTemplate:Music (D) ETemplate:Music (F) GTemplate:Music (A)
BTemplate:Musicmaj7 BTemplate:Music D F A
Bmaj7 B DTemplate:Music FTemplate:Music ATemplate:Music

Sources

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Template:Chords

ca:Acord de sèptima#Acord de sèptima major

  1. ↑ 1.0 1.1 Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.229. Seventh Edition. ISBN 978-0-07-294262-0.
  2. ↑ Walter Everett (Autumn, 2004). "A Royal Scam: The Abstruse and Ironic Bop-Rock Harmony of Steely Dan", p.205, Music Theory Spectrum, Vol. 26, No. 2, pp. 201-235.
  3. ↑ 3.0 3.1 3.2 Stephenson, Ken (2002). What to Listen for in Rock: A Stylistic Analysis, p.83. ISBN 978-0-300-09239-4. "...the most famous major seventh chord in the history of music, the one that opens Chicago's 'Colour My World'..."
  4. ↑ 4.0 4.1 Forte, Allen (1979). Tonal Harmony in Concept & Practice, p.150. ISBN 0-03-020756-8.
  5. ↑ Radley, Roberta (2011). The "Real Easy" Ear Training Book, pages unmarked. ISBN 9781457101427.
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