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Undid revision 632010299 by 71.113.19.188 (talk) Changed existing ref without changing content

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	~~The '''curtal sonnet'''~~ is ~~a form invented by [[Gerard Manley Hopkins]], and used in three of his poems~~.		Nice to meet you, my name is Refugia. Bookkeeping is her working day job now. Body developing is 1 of the things I love most. Her spouse and her live in Puerto Rico but she will have to move one day or another.<br><br>Feel free to surf to my weblog; [http://richlinked.com/index.php?do=/profile-32092/info/ at home std test]

	It is an eleven-line (or, more accurately, ten-and-a-half-line) [[sonnet]], but rather than the first eleven lines of a standard sonnet it consists of precisely ¾ of the structure of a [[Petrarchan sonnet]] shrunk proportionally. ~~The [[octave (poetry)\|octave]]~~ of ~~a sonnet becomes a [[sestet]] and~~ the ~~sestet a [[quatrain]] plus an additional "tail piece~~.~~" That is, the first eight lines of a sonnet are translated into the first six lines of a curtal sonnet~~ and ~~the last six lines of a sonnet are translated into the last four and a half lines of a curtal sonnet. Hopkins describes the last line as half a line, though~~ in ~~fact it can be shorter than half of~~ one ~~of Hopkins's standard [[sprung rhythm]] lines~~. In the preface to his ''Poems'' (1876-89), Hopkins describes the relationship between the Petrarchan and curtal sonnets mathematically; if the Petrarchan sonnet can be described by the equation 8+6=14 then, he says, the curtal sonnet would be:
	~~:<math>{12\over2}+{9\over2}={21\over2}=10{1\over2}~~<~~/math~~>~~.<ref>Hopkins, Gerard Manley. ''The Poems of Gerard Manley Hopkins,'' 4th edition. Ed. W.H. Gardner and N.H. Mackenzie. Oxford UP, 1967.~~<~~/ref~~>

	~~Hopkins's only examples of the form are "[[Pied Beauty]]," "Peace," and "Ash Boughs." "Pied Beauty" is as follows, showing the proportional relation~~ to ~~the Petrarchan sonnet (not included in the original: the only indication of the form is in the preface). Accents indicate stressed syllables:~~
	{\|
	\|
	~~:Glory be~~ to ~~God for dappled things—~~
	~~::For skies of couple-colour as a brinded cow~~;
	:~~::For rose-moles all in stipple upon trout that swim;~~
	~~:Fresh-firecoal chestnut-falls; finches' wings;~~
	~~::Landscape plotted and pieced—fold, fallow, and plough;~~
	~~:::And áll trádes, their gear and tackle and trim~~.
	\|
	~~<math>{12\over2}=6<~~/~~math>~~
	\|-
	\|
	~~:All things counter, original, spare, strange;~~
	~~::Whatever is fickle, freckled (who knows how~~?)
	~~:::With swift, slow; sweet, sour; adazzle, dim;~~
	~~:He fathers-forth whose beauty is past change:~~
	~~:::::::Praise him.~~
	\|
	~~<math>{9\over2}~~=~~4{1\over2}</math>~~
	\|}

	Hopkins's account of the form comes from the preface to his ''Poems'' (1876-89). [[Literary criticism\|Critics]] are generally in agreement that the curtal sonnet does not so much constitute a new form as an interpretation of sonnet form as Hopkins believed it to be; as Elisabeth Schneider argues, the curtal sonnet reveals Hopkins's intense interest in the mathematical proportions of all sonnets.<ref>Elisabeth W. Schneider, "The Wreck of the Deutschland: A New Reading," ''PMLA,'' Vol. 81, No. 1. (Mar., 1966), pp. 110-122.</~~ref> For an in~~-~~depth treatment of all three poems, see Lois Pitchford.<ref>Pitchford, "The Curtal Sonnets of Gerard Manley Hopkins." ''Modern Language Notes,'' Vol. 67, No. 3. (Mar., 1952), pp. 165-169.<~~/~~ref> The form has been used occasionally since, but primarily as a novelty, in contrast to Hopkins's quite serious use.~~

	~~==See also==~~
	*[[Caudate sonnet]]

	~~==References==~~
	~~<references~~/>

	~~[[Category:Sonnet studies]]~~

	~~[[ja:ソネット#カータル・ソネット]~~]

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2014-01-19T05:43:05Z

Primary sources: Fix CS1 deprecated date parameter errors

← Older revision		Revision as of 07:43, 19 January 2014
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	~~Oscar~~ is ~~what my spouse loves to contact me~~ and ~~I completely dig that title~~. ~~South Dakota~~ is ~~exactly where me~~ and ~~my husband reside~~ and ~~my family members loves~~ it. ~~He utilized~~ to be ~~unemployed but now~~ he is a ~~pc operator but his promotion by no means comes~~. ~~Doing ceramics~~ is ~~what adore performing~~.<br><br>~~Feel free~~ to ~~surf~~ to ~~my website [http~~:~~//www~~.~~article~~-~~galaxy~~.~~com~~/~~profile~~.~~php?a=165109 http://www~~.~~article~~-~~galaxy~~.~~com~~/]		The '''curtal sonnet''' is a form invented by [[Gerard Manley Hopkins]], and used in three of his poems.

			It is an eleven-line (or, more accurately, ten-and-a-half-line) [[sonnet]], but rather than the first eleven lines of a standard sonnet it consists of precisely ¾ of the structure of a [[Petrarchan sonnet]] shrunk proportionally. The [[octave (poetry)\|octave]] of a sonnet becomes a [[sestet]] and the sestet a [[quatrain]] plus an additional "tail piece." That is, the first eight lines of a sonnet are translated into the first six lines of a curtal sonnet and the last six lines of a sonnet are translated into the last four and a half lines of a curtal sonnet. Hopkins describes the last line as half a line, though in fact it can be shorter than half of one of Hopkins's standard [[sprung rhythm]] lines. In the preface to his ''Poems'' (1876-89), Hopkins describes the relationship between the Petrarchan and curtal sonnets mathematically; if the Petrarchan sonnet can be described by the equation 8+6=14 then, he says, the curtal sonnet would be:
			:<math>{12\over2}+{9\over2}={21\over2}=10{1\over2}</math>.<ref>Hopkins, Gerard Manley. ''The Poems of Gerard Manley Hopkins,'' 4th edition. Ed. W.H. Gardner and N.H. Mackenzie. Oxford UP, 1967.</ref>

			Hopkins's only examples of the form are "[[Pied Beauty]]," "Peace," and "Ash Boughs." "Pied Beauty" is as follows, showing the proportional relation to the Petrarchan sonnet (not included in the original: the only indication of the form is in the preface). Accents indicate stressed syllables:
			{\|
			\|
			:Glory be to God for dappled things—
			::For skies of couple-colour as a brinded cow;
			:::For rose-moles all in stipple upon trout that swim;
			:Fresh-firecoal chestnut-falls; finches' wings;
			::Landscape plotted and pieced—fold, fallow, and plough;
			:::And áll trádes, their gear and tackle and trim.
			\|
			<math>{12\over2}=6</math>
			\|-
			\|
			:All things counter, original, spare, strange;
			::Whatever is fickle, freckled (who knows how?)
			:::With swift, slow; sweet, sour; adazzle, dim;
			:He fathers-forth whose beauty is past change:
			:::::::Praise him.
			\|
			<math>{9\over2}=4{1\over2}</math>
			\|}

			Hopkins's account of the form comes from the preface to his ''Poems'' (1876-89). [[Literary criticism\|Critics]] are generally in agreement that the curtal sonnet does not so much constitute a new form as an interpretation of sonnet form as Hopkins believed it to be; as Elisabeth Schneider argues, the curtal sonnet reveals Hopkins's intense interest in the mathematical proportions of all sonnets.<ref>Elisabeth W. Schneider, "The Wreck of the Deutschland: A New Reading," ''PMLA,'' Vol. 81, No. 1. (Mar., 1966), pp. 110-122.</ref> For an in-depth treatment of all three poems, see Lois Pitchford.<ref>Pitchford, "The Curtal Sonnets of Gerard Manley Hopkins." ''Modern Language Notes,'' Vol. 67, No. 3. (Mar., 1952), pp. 165-169.</ref> The form has been used occasionally since, but primarily as a novelty, in contrast to Hopkins's quite serious use.

			==See also==
			*[[Caudate sonnet]]

			==References==
			<references/>

			[[Category:Sonnet studies]]

			[[ja:ソネット#カータル・ソネット]]

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2012-08-02T06:10:50Z

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Oscar is what my spouse loves to contact me and I completely dig that title. South Dakota is exactly where me and my husband reside and my family members loves it. He utilized to be unemployed but now he is a pc operator but his promotion by no means comes. Doing ceramics is what adore performing.<br><br>Feel free to surf to my website [http://www.article-galaxy.com/profile.php?a=165109 http://www.article-galaxy.com/]